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Fritz Hansen
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Discounts applied
The different discounts applied may vary depending on the size of the budget: -In case of lowering the volume of the order, it shortchanges the discount * . -In case of increasing the volume of the order, would increase the discount * . * For minimum orders.
Web Order - provisional budget
Orders placed via the web will get immediately a provisional budget. This budget is provided for informational purposes and therefore will not be valid until the commercial team of Idiliq verify the availability of the products ordered, as well as the possible existence of other expenditures to include (transport, ... )
Generalities
Cualquier pedido implica la aceptación sin excepción de la totalidad de las condiciones de alquiler y venta siguientes, salvo acuerdo previo firmado entre las partes. El cliente acepta estas condiciones generales en caso de tratar con nosotros o hacer uso de nuestro material.
Prices and price variation
The prices of our catalogs are quoted as examples. Idiliq reserves the right to change prices at any time. Our standard rental prices are without VAT for a maximum duration of 8 days. These prices do not include possible transport services, special mounting , nighttime or other extra services ... Where the duration is more than 8 days, were applied immobilizing coefficients different according to the rental period. These coefficients are available to the client requesting them.
Last minute orders
Any request made with less than 24 working hours prior to departure of the material from our warehouse will be subject to a rate increase of 10 %.
Additional services
The costs relating to additional services (transport, installation, etc. ) are indicative. They were translated accurately when we have more data about the event (location, hours of delivery/collection of material, etc. )
Night shift
Expenses can arise of nighttime for deliveries or collected with schedules included in the time slot of 22:00 to 8:00 (at the time of listing budgets initially, Idiliq does not always have knowledge of the exact time of the event). Idiliq reserves the right to add in any time expenditure of nighttime in the event that the final timetable of the event are included in the night strip. We do not apply nighttime expenses for fairs.
"Internal use" or "Outdoor"
Before you accept your budget, it is necessary t oread carefully the uses of each product: 'Use Inside'. The product can be only used in enclosed spaces. Use 'outside'. The product can be used both in open spaces as well as indoors. Check the information on the use of our products, which is clearly reflected in its budget. The improper use of the materials can cause damage to our products or leave them useless. Idiliq reserves the right to invoice the customer for the damage due to misuse.
Obligation of the lessee
By accepting this budget, the client is the only one responsible for the material throughout the rental period, with regard to possible damage caused (stains, burns, cuts....). The transfer of responsibility towards the customer is effective or the pickup at our warehouse by the customer or on the place of delivery. This responsibility from the customer exists until the pickup by our company or the return of the material to our warehouses. If the material has suffered some theft, loss, or damage (to use out of the ordinary), Idiliq reserves the right to charge up to 100% of the value of the affected parts. The client must not alterate or repair the material although they are minimal. At the time of the collection of the material the borrower declines all responsibility with respect to objects or any material deposited inside, underneath or on top of the rented items. At the time of delivery, customer will sign the delivery note by checking the State as well as the amounts of the requested material.
Deadline for confirmation of the budget
This deadline may be more or less distant from the date of delivery depending on the product that comes stock. It may come from Paris or warehouse stores beyond. For idiliq can respond correctly your order is important to confirm the order before the deadline stated in the budget. Otherwise idiliq no commitment with the availability of the products ordered.
Payment in advance
In case of payment in advance (partial or total), the client must send the proof of payment of the corresponding amount by fax or email, 24 hours before the delivery at the latest. Otherwise Idiliq reserves the right to cancel the order.
Partial or total cancellation of the order
In case of partial or total cancellation of the material, the client must pay penalties on the amount canceled: From confirmation until 15 days before the event: 25%. Between 14 and 3 days before the event: 50%. 3 Days or less before the event or if furniture is delivered: 100%.
Availability
Our society declines all responsibility regarding the availability of the material when confirming the order. In case of non-availability or force majeure, our society reserves the right to offer an equivalent material allowing to ensure the intended target.
Budget's validity
Our rental and sales budgets are valid for 15 days. After this date the budgets do not commit us, unless they have been renovated for a new period.
Deposit
In case the client is going to transport the material rented by its account in at any time during the contracted rental, Idiliq reserves the right to require a deposit for the amount stipulated by (amount calculated on the basis of the rented material). It is important that in such a case the client specify Idiliq its intention to transport the material so we can reclaim the corresponding deposit.
Sign the delivery note when receipt the goods
The delivery of the material the customer must review and sign the delivery note. In case of failing to notify in writing the potential damage of the material made available by Idiliq, within a maximum of 24h after delivery, the material delivered by Idiliq is considered in good condition and will have to return as such. In the absence of signatories, the delivery will be considered as correct and accepted by the customer.
Material displacement and Asurance
The displacement of idiliq material by the customer without prior notice, may cause serious problems (improper handling of the material on the part of the customer, loss of the materials ... ). Any damage or loss of material due to a shift on the part of the customer, without prior written notice to our offices in Madrid or Barcelona, an additional cost to assume on the part of the customer. Idiliq reserves the right to charge up to 100% of the value of the affected parts.
Delay in material return
The delay in the return of the material involves the billing of a compensation, calculated at the rate applicable and eventually the billing for the all the costs and damage caused by failure to return and its consequences.
Late payments
The delays in payment will entail the payment of interest from the first day at the statutory rate.
Free Transport Paris Center
Free transport for rental orders over 800 Euros (VAT not included) in Paris Capital. For orders less than 800 Euros transportation cost is 150 euros.
Material reservation
Idiliq do not reserve furniture untill the confirmation of the budget.
Budget confirmation
The order confirmation wilol be effective once we receive the signed budget by email.
Electrical appliances order
Electrical appliances order: Coffee machine, Fridge,water source, microwave..., has to be accompanied by furniture order.
Fair Deliveries
Idiliq cannot guarantee to deliver at a specific date and hour. Idiliq compromise is to deliver at the latest the previous day of the starting day.
Idiliq only trade with professionnals
Fridge
Fridge rental is only possible if there is an order regarding furniture.
Transport when added during event
When furniture is added once event started , the delivery transportation cost is 80 eur for any kind of volume.(for Madrid and Barceloan center.)
Extra charge for event where delivery is over first floor and under -1 floor.
When delivery is over first floor or under-1 idiliq may charge an extra.
Minimun order
There is a minimum order of 300 eur (without VAT) in furniture.
Fritz Hansen
Overall history
1872 – 1929
The history of Fritz Hansen begins in 1872, where the enterprising cabinet-maker Fritz Hansen from Nakskov obtains a trade license in Copenhagen. 1885 is a decisive year, where he starts a furniture production company of his own and two years later he has managed to establish a flourishing workshop in Christianshavn – a central part of Copenhagen. Fritz and his son Christian initiated the high quality level, which has been the trademark of Fritz Hansen’s products ever since.
The long list of prestigious orders from the first fifty years of the company's history, demonstrates how strong the Fritz Hansen reputation already is in the beginning of the 20th century. Buildings furnished by Fritz Hansen include Christiansborg, The University Library, Copenhagen City Hall and The Supreme Court and other significant projects.
1930 – 1939
Early on in the century, the forward-looking Christian E. Hansen, son of Fritz Hansen, starts to experiment with steam bending beech. In the Thirties, the technique is so refined that Fritz Hansen is among the world leaders in the field, which later evolves into the firm’s speciality: Furniture created in laminate wood.
As an adjusted variant of Germanic functionalism, the purer lines and the lighter, more practical approach became the breakthrough style in Scandinavia. At Fritz Hansen, the first Danish steel furniture was launched, as well as the famous Church chair by Kaare Klint, which remains in the Fritz Hansen collection from 1936 to 2004.
1940 – 1949
Despite difficult times during the decade of The Second World War, the Fritz Hansen factory is expanded. Due to some dreadful ice winters, many of the Danish walnut trees succumb. Fritz Hansen buys a great amount of the wood and takes advantage of the situation: A new furniture series in walnut is introduced. The initiative receives great press attention and is a success.
The first classic of the decade is the China™ chair from 1944, designed by the progressive architect Hans. J. Wegner. The chair is a sculptural celebration of wood and the finest craft of furniture making. The second classic, that sees the light of day, is the spoke back sofa by Børge Mogensen in 1945, that later is re-introduced as the most Danish sofa of all sofas.
1950 – 1959
Arne Jacobsen totally dominates the Fifties at Fritz Hansen. The collaboration started in 1934, but the breakthrough comes, when he creates the laminated Ant™ chair. The chair later gave rise to the never-ending success story of the Series 7™ chair – and other pressure moulded veneer chairs. The inspiration for the Ant came from Hvidt & Mølggard’s AX-series, and the introduction of the lamination technique and separable furniture is still a milestone in the history of Fritz Hansen.
Arne Jacobsen shines even brighter with the creation of the classic style icons, the Egg™ and the Swan™ designed for Royal Hotel in Copenhagen. The introduction of his series 3300™ just adds to the myth. Verner Panton also appears on the scene with the Bachelor chairs. But the decade belongs to Arne Jacobsen.
1960 – 1969
In 1963, the factory in Allerød is expanded with three factory halls and in 1965 the administrative department moves from Christianshavn, to the renovated buildings in Allerød, which also include a showroom.
The democratic table with no ends, the Superellipse™ table, and the span-leg table are designed by Bruno Mathsson and Piet Hein and becomes one of Fritz Hansen’s greatest successes. Just as successful, is the re-introduction of Børge Mogensen’s ‘Tremmesofa’ and Hans Wegner’s China chair. The Arne Jacobsen models also strongly dominate this period.
1970 – 1979
This decade brings great changes to Fritz Hansen: On the first working day in 1979, Fritz Hansen announces that the 107 year old firm, is no longer in the hands of the family. 75% of the Fritz Hansen shares are now in the possession of Skandinavisk Holding.
The enfant terrible of Danish design, Verner Panton, becomes leader of the avant-garde, provoking and inspiring in the service of Fritz Hansen. His prominent role results in flattering remarks from the press. The attempt to guide interest back to Arne Jacobsen and the other classics is initiated and comes to fruition a few years later.
1980 – 1989
Through substantial investments and thorough reconstruction work the new owner, Skandinavisk Holding, succeeds in strengthening Fritz Hansen and preparing the old company for the future.
An exhibition consisting only of new Fritz Hansen models, shown during the Furniture EXPO 1983 at the Bella Center, a trade fair and convention centre in Copenhagen, becomes a convincing manifestation that the old firm once again has entered the scene and is recapturing the position as Denmark’s leading furniture company.
Fritz Hansen purchases the minimalistic Kjærholm Collection with an industrial dimension, which Poul Kjærholm designed from 1951 to 1980. Together with the purchase of the KEVI collections and Munch Møbler it results in increased sales and interest in Fritz Hansen as well.
1990 – 1999
Expansion became one of the keywords for this decade as well. Fritz Hansen now focuses primarily on five utility areas: Canteen, conference room, resting/waiting areas, office chairs and finally private spaces. In 1998, another factory is purchased in Vassingerød. Here, the newly decorated rooms are converted production areas, a showroom and a small museum displaying ‘the course of history’.
The period is marked by great focus on office chairs and the introduction of the Ensemble-series by Alfred Homann, chairs and tables by Vico Magistretti, the Click-table series and screens from Art Andersen & Copenhagen.
2000 –
The introduction of the concept Republic of Fritz Hansen™ marks a change in strategy. The message is that furniture from the Republic of Fritz Hansen is an important part of the image of companies and private customers, who want to express their individuality and make unique statements.
The Republic of Fritz Hansen invites a series of new designers to interpret the design philosophy of Fritz Hansen. The Ice-series by Kasper Salto and Plano by Pelikan Design is introduced and lives up to the great expectations.
The revitalization of the Oxford-series and initiatives for the fiftieth anniversary of the Series 7™ seem very promising. Several radical changes are made to production development and the introduction structure of new designs, and coherent campaigns are introduced on a regular and yearly basis.
1872 – 1929
The history of Fritz Hansen begins in 1872, where the enterprising cabinet-maker Fritz Hansen from Nakskov obtains a trade license in Copenhagen. 1885 is a decisive year, where he starts a furniture production company of his own and two years later he has managed to establish a flourishing workshop in Christianshavn – a central part of Copenhagen. Fritz and his son Christian initiated the high quality level, which has been the trademark of Fritz Hansen’s products ever since.
The long list of prestigious orders from the first fifty years of the company's history, demonstrates how strong the Fritz Hansen reputation already is in the beginning of the 20th century. Buildings furnished by Fritz Hansen include Christiansborg, The University Library, Copenhagen City Hall and The Supreme Court and other significant projects.
1930 – 1939
Early on in the century, the forward-looking Christian E. Hansen, son of Fritz Hansen, starts to experiment with steam bending beech. In the Thirties, the technique is so refined that Fritz Hansen is among the world leaders in the field, which later evolves into the firm’s speciality: Furniture created in laminate wood.
As an adjusted variant of Germanic functionalism, the purer lines and the lighter, more practical approach became the breakthrough style in Scandinavia. At Fritz Hansen, the first Danish steel furniture was launched, as well as the famous Church chair by Kaare Klint, which remains in the Fritz Hansen collection from 1936 to 2004.
1940 – 1949
Despite difficult times during the decade of The Second World War, the Fritz Hansen factory is expanded. Due to some dreadful ice winters, many of the Danish walnut trees succumb. Fritz Hansen buys a great amount of the wood and takes advantage of the situation: A new furniture series in walnut is introduced. The initiative receives great press attention and is a success.
The first classic of the decade is the China™ chair from 1944, designed by the progressive architect Hans. J. Wegner. The chair is a sculptural celebration of wood and the finest craft of furniture making. The second classic, that sees the light of day, is the spoke back sofa by Børge Mogensen in 1945, that later is re-introduced as the most Danish sofa of all sofas.
1950 – 1959
Arne Jacobsen totally dominates the Fifties at Fritz Hansen. The collaboration started in 1934, but the breakthrough comes, when he creates the laminated Ant™ chair. The chair later gave rise to the never-ending success story of the Series 7™ chair – and other pressure moulded veneer chairs. The inspiration for the Ant came from Hvidt & Mølggard’s AX-series, and the introduction of the lamination technique and separable furniture is still a milestone in the history of Fritz Hansen.
Arne Jacobsen shines even brighter with the creation of the classic style icons, the Egg™ and the Swan™ designed for Royal Hotel in Copenhagen. The introduction of his series 3300™ just adds to the myth. Verner Panton also appears on the scene with the Bachelor chairs. But the decade belongs to Arne Jacobsen.
1960 – 1969
In 1963, the factory in Allerød is expanded with three factory halls and in 1965 the administrative department moves from Christianshavn, to the renovated buildings in Allerød, which also include a showroom.
The democratic table with no ends, the Superellipse™ table, and the span-leg table are designed by Bruno Mathsson and Piet Hein and becomes one of Fritz Hansen’s greatest successes. Just as successful, is the re-introduction of Børge Mogensen’s ‘Tremmesofa’ and Hans Wegner’s China chair. The Arne Jacobsen models also strongly dominate this period.
1970 – 1979
This decade brings great changes to Fritz Hansen: On the first working day in 1979, Fritz Hansen announces that the 107 year old firm, is no longer in the hands of the family. 75% of the Fritz Hansen shares are now in the possession of Skandinavisk Holding.
The enfant terrible of Danish design, Verner Panton, becomes leader of the avant-garde, provoking and inspiring in the service of Fritz Hansen. His prominent role results in flattering remarks from the press. The attempt to guide interest back to Arne Jacobsen and the other classics is initiated and comes to fruition a few years later.
1980 – 1989
Through substantial investments and thorough reconstruction work the new owner, Skandinavisk Holding, succeeds in strengthening Fritz Hansen and preparing the old company for the future.
An exhibition consisting only of new Fritz Hansen models, shown during the Furniture EXPO 1983 at the Bella Center, a trade fair and convention centre in Copenhagen, becomes a convincing manifestation that the old firm once again has entered the scene and is recapturing the position as Denmark’s leading furniture company.
Fritz Hansen purchases the minimalistic Kjærholm Collection with an industrial dimension, which Poul Kjærholm designed from 1951 to 1980. Together with the purchase of the KEVI collections and Munch Møbler it results in increased sales and interest in Fritz Hansen as well.
1990 – 1999
Expansion became one of the keywords for this decade as well. Fritz Hansen now focuses primarily on five utility areas: Canteen, conference room, resting/waiting areas, office chairs and finally private spaces. In 1998, another factory is purchased in Vassingerød. Here, the newly decorated rooms are converted production areas, a showroom and a small museum displaying ‘the course of history’.
The period is marked by great focus on office chairs and the introduction of the Ensemble-series by Alfred Homann, chairs and tables by Vico Magistretti, the Click-table series and screens from Art Andersen & Copenhagen.
2000 –
The introduction of the concept Republic of Fritz Hansen™ marks a change in strategy. The message is that furniture from the Republic of Fritz Hansen is an important part of the image of companies and private customers, who want to express their individuality and make unique statements.
The Republic of Fritz Hansen invites a series of new designers to interpret the design philosophy of Fritz Hansen. The Ice-series by Kasper Salto and Plano by Pelikan Design is introduced and lives up to the great expectations.
The revitalization of the Oxford-series and initiatives for the fiftieth anniversary of the Series 7™ seem very promising. Several radical changes are made to production development and the introduction structure of new designs, and coherent campaigns are introduced on a regular and yearly basis.
web: http://www.fritzhansen.com
products created by Fritz Hansen in idiliq catalog: 5
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madrid: +34 913 84 74 15
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paris: +33 (0)6 49 19 86 61
barcelona: +34 913 84 74 15
paris: +33 (0)6 49 19 86 61